A recent survey of more than 1100 personnel administrators concluded that drug and alcohol abuse are more likely to cost a person their job than incompetence. Drug abuse has affected every area of society; the music business is no exception. Some believe that drug addiction is more pervasive in show business, while others counter that this perception exists only because of the high-profile nature of the industry.

The fact that drug addiction crops up everywhere suggests that it is an illness particular to human nature, not a specific industry. There is little solace in this however, when a musician you know becomes difficult to get along with, unreliable or untrustworthy, incapable of performing, or even violent due to their worsening drug or alcohol problem. It would be wonderful if we lived in a world free of drugs and drug addiction, but until that day arrives musicians may find themselves inadvertently working with others who have become victims of this very serious illness. What follows is some helpful perspective and advice for those who are struggling with this situation, or those who simply wish to know more about it. There are a myriad of attitudes concerning drug addiction, and drug addicts. (From here on we will refer to persons addicted to drugs and/or alcohol as one group: drug addicts.)

Unfortunately, there are still those who believe this condition to be the result of poor judgement, or perhaps a flawed character. The consensus among modern health care professionals, including the American Medical Association (AMA), is that drug addiction is a disease. Theories concerning its origins embody the classic "nature vs. nurture" arguments: Does one become an addict because of genetics, environment and upbringing, or a combination thereof? It may be safely concluded that the origins of drug addiction are many, and complex. Cultivating an awareness of this issue begins with the realization that drug addicts are not necessarily bad people, but rather victims of their illness. Some people have what is known as an addictive personality - a predisposition to become dependent on a certain lifestyle, or substance. Examples are compulsive eaters or gamblers, those who accumulate excessive debt, and drug addicts, who become addicted to substances. For the drug addict, a simple "just say no" is insufficient. The nature of their illness is such that they have not naturally developed the kind of rational self-control that allows most people to remain free of addiction.

Addicts become mired in their habit without realizing that a problem is developing, and they practice denial in order to maintain their increasingly fragile world. The drug addict will go to great lengths to deny that their use of drugs is the reason for a deteriorating situation. They tend to blame their problems on those around them, including friends, co-workers, and loved ones. Being in a band with such a person is very, very difficult if that person is hostile and blaming, when it's obvious that the drug habit is the real problem. Most groups will tolerate this situation for a while, hoping the problem "solves itself" by merely disappearing, or that the addict will respond to suggestions, or even ultimatums that they "clean up their act." Ultimatums may be temporarily effective, but unless the addict seeks true rehabilitation, problems will invariably recur.
Sadly, many addicts lose their jobs and are left alone, denying responsibility, blaming the band member(s) responsible for his or her firing. When a musician loses his or her job, it's because the other band members have been forced to make a choice. A band is a unique environment: one third team, one third business, one third family. It's very difficult to discharge a member of this "family" when the person is in such obvious trouble and pain. And yet, that person is most likely not contributing fully to the team effort, and may actually be severely damaging to the business effort. A band may have to cancel engagements, or whole tours if a crucial member is unable to perform, and the situation becomes more critical when the other member's livelihood, including the ability to feed a family, or pay rent or a mortgage is threatened.

Every drug addict is an individual, and the demands of every band's situation vary, but there are limits to the number of times band members are able to give the addict the benefit of the doubt, and to the number of broken promises a band is able to endure. The past decade has seen increased awareness of and concern for drug addicts, and increased ability to effectively treat their illness. There are full-time self-help groups such as Alcoholics Anonymous (AA), and its first cousin Narcotics Anonymous (NA) dedicated to providing drug addicts with help and support. There are many other public and private organizations with similar goals, including those oriented towards helping "concerned persons" - the family, friends, and co-workers of addicts. One of these groups is an excellent place for band members to go for help with bringing one of their own to rehabilitation. While AA and NA offer free support, private rehabilitation facilities can be very costly. The costs and types of rehabilitation programs vary however, and the addition of substance abuse to the list of illnesses recognized by the AMA has made treatment for drug addiction eligible for coverage under many health insurance policies.

In the health care industry, it's believed that in order for rehabilitation to succeed, an addict must sincerely want to be helped. There is a natural tendency, in observing a person's debilitating addiction, to try to help the addict with a heart-to-heart talk, to try to "bring them to their senses." As well-intentioned as this may be, most addicts feel they don't want help, instead believing they have no problem, or that those outside their situation don't understand. It's also possible for a talk of this nature to backfire, leaving the addict alienated and angry with his or her friends. It may be more helpful to have a recovering (rehabilitated) addict talk to the addict, someone who does understand, someone who has been there and made it back.