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Mirza-Sahiban,
a love-lore is a treasure of Punjabi literature. It
is a romantic tragedy. Sahiban was another love-lorn
soul. Shayer Pillo raves about her beauty and says,"
As Sahiban stepped out with a lungi tied around her
waist, the nine angels died on seeing her beauty and
God started counting his last breath…"
Mirza and Sahiban who were cousins and childhood playmates,
fell in love with each other. But when this beauty
was about to be wedded forcibly to Tahar Khan by her
parents, without any hesitation she send a taunting
message to Mirza, whom she loved, to his village Danabad,
through a Brahmin called Kammu.
"You must come and decorate Sahiban’s hand with the
marriage henna." This is the time you have to protect
your self respect and love, keep your promises, and
sacrifice your life for truth. Mirza who was a young
full-blooded man, made Sahiba sit on his horse and
rided away with her. But on the way, as he lied under
the shade of a tree to rest for a few moments, the
people who were following them on horseback with swords
in their hands caught up with them.
Sahiba
was a virtuous and a beautiful soul who did not desired
any bloodshed to mar the one she loved. She did not
want her hands drenched in blood instead of henna.
She thinks Mirza cannot miss his target, and if he
strikes, her brothers would surely die. Before waking
up Mirza, Sahiban puts away his quiver on the tree.
She presumes on seeing her, her brothers would feel
sorry and forgive Mirza and take him in their arms.
But the brothers attack Mirza and kill him. Sahiban
takes a sword and slaughters herself and thus bids
farewell to this world.
Innumerable folk songs of Punjab narrate the love
tale of Sassi and Punnu. The women sing these songs
with great emotion and feeling, as though they are
paying homage to Sassi with lighted on her tomb. It
is not the tragedy of lovers. It is the conviction
of heart of the lovers. It is firmly believed that
the soil of the Punjab has been blessed. God has blessed
these lovers to. Though there love ended in death,
death was a blessing in disguise, for this blessing
is immortalized. Waris Shah who sings the tale of
Heer elevates mortal love to the same pedestal as
spiritual love for God saying," When you start the
subject of love, first offer your invocation to God".
This
has always been the custom in Punjab, where mortal
love has been immortalized and enshrined as spirit
of love. Just as every society has dual moral values,
so does the Punjabi community. Everything is viewed
from two angles, one is a close up of morality and
the other is a distant perspective. The social, moral
convictions on one hand give poison to Heer and on
the other hand make offerings with spiritual convictions
at her tomb, where vows are made and blessings sought
for redemption from all sufferings and unfulfilled
desires.
But the Sassis, Heers, Sohnis and others born on this
soil have revolted against these dual moral standards.
The folk songs of Punjab still glorify this rebelliousness.
"When the sheet tear,
It can be mended with a patch:
How can you darn the torn sky?
If the husband dies, another one can be found,
But how can one live if the lover dies?"
And perhaps it is the courage of the rebellious Punjabi
woman, which has also given her a stupendous sense
of perspective. Whenever she asks her lover for a
gift she says,
"Get a shirt made for me of the sky And have it trimmed
with the earth"
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